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How can you possibly make an hour and a half movie out of this? NC: But now wait a minute, a Tom and Jerry cartoon is about 7 minutes long with just slapstick and silent humor. NC (voiceover): Instead we got Tom and Jerry: The Movie, a 1992 film about, what else, Tom and Jerry. NC: With a comedy team so legendary, you'd think Hollywood would put some real time and effort into their first feature length film together.They do not. NC (voiceover): There's directors, historians, and even comedy stars like Whoopee Goldberg and MADTV cast members who all see Tom and Jerry as comic gold. NC: I'm such a dork that I actually went out and got the DVD collections of these cartoons, and you know what I found out? I'm not the only one who regards them as comic legends. With the wanton destruction, comedic timing and hilarious sound effects, this is the original cat and mouse team that perfected the art of cartoon violence. NC (voiceover): Oh hell yeah, I love Tom and Jerry. Production company: Warner Animation Groupĭistributor: Warner Bros.NC: Hello I'm the Nostalgia Critic, I remember it so you don't have to.
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Does anybody else yearn for the days of animal-versus-animal cartoons that showed humans from the knees down, if they bothered to include them at all? Even after it goes very predictably awry - you know exactly what’s to come as soon as you see the ornate glass atrium - the movie has 20 long minutes to go, getting the lovebirds back together and ensuring that Kayla redeems herself.
TOM AND JERRY THE MOVIE HOW TO
“Somewhere, we forgot how to fight,” sighs the bride, whose doomed wedding ceremony takes over the film. Tiresome cat-and-mouse-and-temp-worker conflicts finally reach a natural conclusion, whereupon the dispirited viewer realizes the movie actually thinks we care about the humans in the background.
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But even here, Story and his crew do little that Robert Zemeckis couldn’t accomplish, using 1988 technology, in Who Framed Roger Rabbit - and that film had a vastly, vastly wittier script. Later, the duo’s first major fight scene destroys a hotel room: The tangibility of the chaos (broken chandeliers, holes in sheetrock) may amuse the youngest child viewers, but the disconnect between live-action and animation just makes one yearn for a beautiful Chuck Jones sequence, in which the world and those who wreck it are one.Ī single sequence - in which Tom risks electrocution and more in an attempt to get at his nemesis while he’s tucked in an upper-story suite - comes close to the antic violence that made this pair famous. In the scene where Tom and Jerry meet for the first time, as the piano-playing cat busks in a park, extras stand in a group gawking at empty space as an unconvincing bit of drawn-in action unfolds. The hundreds of artists at work find a few opportunities for pleasure - like putting a tiny, real-looking backpack on Jerry, or getting Tom’s fur wet in the rain.īut from the start, the pic’s overall visual approach does them no favors. With just a bit of shading to add depth, animators strike a fair balance between CGI and pen-and-ink in their depiction of Tom, Jerry and the many other animals in the film. Veteran Director Tim Story on the "Fun Game" of Creating Animation Hybrid Film 'Tom & Jerry' Meanwhile, Kayla’s pompous but insecure boss (Michael Peña, who, in underplayed moments, earns 85 percent of the film’s few non-slapstick laughs) is threatened by the newcomer, and looks for ways to undermine her. Kayla winds up getting the hotel’s manager (Rob Delaney, underexploited but always welcome) to hire a cat she meets as her partner in mouse-hunting. Unfortunately, another stranger arrives at the same time Kayla does: a mouse, whose presence, if discovered, would obviously wreak havoc on the wedding and nix hopes the hotel’s chef (Ken Jeong) has for a Michelin star. Suffice it to say that her father is rich and intimidating, and Jost’s Ben can’t stop adding flourishes to the wedding plans (exotic animals, a drone-copter) in an attempt to impress him and his daughter. Soon she’s facilitating a wedding that’s supposed to be the biggest event in the hotel’s 90-year history: Pallavi Sharda and Colin Jost play a couple who are famous for reasons the movie needn’t explain. Stumbling into an opportunity for a temp job at a tony Manhattan hotel, she sabotages another applicant and assumes her identity. Moretz plays Kayla, a victim of the gig economy with flexible morals.